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Cult X, by Kalau Almony

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Review

A Japanese Bestseller, with over 400,000 copies soldA LitHub Most Anticipated Crime, Mystery, and Thriller Title of 2018A Library Journal Best Book of 2018Praise for Cult X"You'll think about Nakamura's questions long after you've closed his book's covers. He uses the conventions of a genre to prop up a tent for big ideas about groupthink and individual responsibility. If you feel a few frissons along the way? Consider how easily you might be seduced into a cult, and then take a long, cold shower." —NPR "Raises the literary stakes to literally cosmic proportions . . . Cult X, translated into handsome, unadorned English by Kalau Almony, pushes the boundaries of the thriller genre to an extreme degree. Mr. Nakamura has written a daunting, challenging saga of good and evil on a Dostoevskian scale. Those who persevere to its finale may well feel the richer for it."—Tom Nolan, The Wall Street Journal"Nakamura's impassioned writing is part of a continuum that stretches from Dostoevsky to Camus to Ōe." —Los Angeles Times "Nakamura’s talent for characterization and willingness to engage make this a novel worth wrestling with." —Los Angeles Review of Books "One of the most buzzed about novels of the season." —Salon "The Fuminori Nakamura novel we’ve been waiting for . . . [Nakamura's] talent has always been for exploring the lives of those on the fringes of society, the damaged and the ostracized, and that remains at the heart of this work." —The Japan Times "Taking as his inspiration the 1995 sarin gas attack on the Tokyo subway, award-winning author Nakamura weaves together politics, religion, and science—including biology, cosmology, and quantum physics—into a fascinating noir brimming with insightful commentary on totalitarianism that is especially apt for our times." —Booklist, Starred Review "Gripping . . . This noirish thriller will resonate with Ryu Murakami fans." —Publishers Weekly "At its heart [Cult X] is an investigation—first for a lost woman, but ultimately into humanity's darkest motivations and the temptation to follow them." —The Sunday Times “Cult X was inspired by Aum Shinrikyo, the group responsible for the 1995 sarin attack in the Tokyo subway, but that is just a starting point, for Nakamura weaves in themes of personal commitment, politics, religion and much more. It’s not, however, for the faint of heart.”—BookPage"A magnificently unsettling work." —Words Without Borders "[Cult X] twists adeptly toward a horror-laden plot of mass destruction . . . Horrifying, yes—but worth confronting." —Kingdom Books "The sprawling novel, told from multiple perspectives and with long forays into the science of the universe, is an epic endeavor that deserves to stand next to the works of Ellroy and Bolaño in the canon of lengthy crime fiction." —CrimeReads Praise for Fuminori Nakamura“Crime fiction that pushes past the bounds of genre, occupying its own nightmare realm . . . Guilt or innocence is not the issue; we are corrupted, complicit, just by living in society.” —Los Angeles Times “A suspenseful study of obsession . . . Love, even illicit love, has a way of bringing out the best or the worst in a person.” —The New York Times “Few protagonists in modern crime fiction are as alienated as those in the challenging, violent, grotesque tales of Japanese author Fuminori Nakamura.” —The Wall Street Journal “This slim, icy, outstanding thriller, reminiscent of Muriel Spark and Patricia Highsmith, should establish Fuminori Nakamura as one of the most interesting Japanese crime novelists at work today.” —USA Today

About the Author

Fuminori Nakamura was born in 1977 and graduated from Fukushima University in 2000. He has won numerous prizes for his writing, including the Ōe Prize, Japan's largest literary award; the David L. Goodis Award for Noir Fiction; and the prestigious Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. His other novels include The Gun, The Kingdom, Evil and the Mask, The Boy in the Earth, and Last Winter, We Parted.

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Product details

Hardcover: 528 pages

Publisher: Soho Crime; First Edition, First Thus edition (May 22, 2018)

Language: English

ISBN-10: 1616957867

ISBN-13: 978-1616957865

Product Dimensions:

5.8 x 1.7 x 8.6 inches

Shipping Weight: 15.4 ounces (View shipping rates and policies)

Average Customer Review:

2.8 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#473,064 in Books (See Top 100 in Books)

So the book arrived very quickly however, the description did not say that the book was an unedited advance copy. I thought I was ordering a finished book, you know, like I've seen in the bookstore.

Poor translation and abysmal eclectic view of Japanese culture - and if not, please, ive no interest in visiting. Canâ€™t believe the shallow expose of philosophy, sexual attributes (and am no prude)...whomever wrote rosy reviews on this is merely pandering to Japanese sophomoric philandering. Even the philosophical rants, while lucid, have all been heard before in countless other coverage. Perhaps the translation is part of the problem - either way, complete bore.

Ostensibly, this novel begins with a young man who is seeking a woman he has known who apparently had entered the strange world of a cult, which he then joins in an attempt to find her. As he progresses in his quest, the reader is exposed to a variety of topics, ranging from sex and violence to religion, astrophysics and neuroscience.This gives the author the opportunity to write about all kinds of subjects, with long discourses ranging from good and evil to Japanese politics, from war criminals to peace. Perhaps inspired by the 1995 sarin gas attack on the Tokyo subway, the novel is an examination of what attraction extremism has to most people.The reader has to plow through more than 500 pages of this material, struggling to grasp all the meanings and context in what starts out as a simple love story. And the task is hardly easy. It takes a lot of effort and for that reason it is rated lower than one would expect a book written by this author, whose past works received [deservedly] higher ratngs. Nevertheless, Nakamura pushes us to the limits in his writings, which have made him one of the top Japanese authors. For this reason, for those willing to stick with it, Cult X is recommended

Fuminori Nakamuraâ€™s CULT X is one of the most disturbing novels I have ever read. Noir hardly does this gritty, dark, provocative novel justice.Nakamura peels back the Japanâ€™s faÃ§ade, the gentile, hard-working, striving, respectful society, and instead, introduces us to world of fringe religious cults. Matsuo leads the almost accidental group, an intellectual, peaceful assembly whose devotees listen to his far-ranging sermons. Lectures, really, covering black matter, philosophy, DNA, the collective unconscious, etc. The splinter group, Cult X, is led by the apostate Sawatari , who presides over Monday orgies that include rape.The seminal issue is that both groups brainwash their believers. Both groups are successful, but to what respective end?Cult X is at the center of a massive terror attack on home soil. The purpose of this attack is to support a conservative, war-like political administration. Shadowy government agents and over zealous police wait in the wings to enable or thwart the attacks.Easily lost in this epic is a love story. Narazaki searches for his enigmatic girlfriend, Ryoko, and it is this search that leads him through the labyrinth of these cults.Think of Fuminori Nakamura as his generationâ€™s Yukio Mishima. Mishima, who came of age during World War II, never adjusted to Japanâ€™s non-militaristic stance during the years following the war. Nakamura, while not advocating for the samurai spirit that Mishima put forward, offers intriguing arguments that question Japanâ€™s role in the age of terror.

Reminiscent of Pyncheon's _Gravity's Rainbow_ as well as Yukio Mishima, this ambitious novel tries to make you think by making you feel: disgust, despair, lust, wonder, hope, love and nihilism are all presented as ways of interfacing with, and maybe understanding, the chaos of physical reality. It's carefully structured, too, pitting a kind and honest (but not too perfect) cult leader against another who is cruel and manipulative. Beneath the feverish and sometimes off-putting plot there's a passionate message about what it does and doesn't mean to be Japanese, to be human, and to be alive.All that was pretty interesting. But I found it hard to take the author's blinkered gender perspective. I haven't read a book in a long time that was so firmly rooted in its belief that men get to penetrate and pontificate, while women get to be penetrated and listen, possibly at the same time. His female characters have agency and everything, but all they want is to save men, get laid by men, sacrifice themselves to/for men . . . Even if his evil character hadn't had the power to magically make women like being raped, I would have found this depressing. And since his good character likes playfully sexually harassing people, I have to think the author is making some conscious argument here.Still . . . it was a thought provoking book. I may have been infuriated, even revolted, but there was plenty to chew on. I'm not sorry to have read it. I'm struggling to think who I'd recommend it to--certainly not my mother, my daughter, or anyone's impressionable young son--but there were definitely things I liked about it. Read at your own discretion.

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