Ebook 101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces

Ebook 101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces

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101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces

Ebook 101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces

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About the Author

Mia Tavonatti is an artist with a variety of interests, including a strong passion for painting and drawing. She moved from Michigan to California to attend art school at California State University, Long Beach, where she earned her BFA and MFA in illustration. She has also studied painting abroad, and she loves to spend her summers painting in Greece. Mia has exhibited her work extensively, both in Europe and throughout the United States. She is the recipient of numerous scholarships and awards, and her work can be seen on more than 45 book covers and in several magazines. In addition to her illustrative work, she has created a number of murals and commissions for restaurants, private residences, and corporations. She teaches illustration and painting at the Art Institute of Southern California in Laguna Beach and currently resides in Costa Mesa, California.

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Product details

Series: 101 Textures

Paperback: 128 pages

Publisher: Walter Foster Publishing; 2 edition (December 18, 2018)

Language: English

ISBN-10: 1633226867

ISBN-13: 978-1633226869

Product Dimensions:

6.5 x 0.4 x 9.5 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#118,598 in Books (See Top 100 in Books)

"101 Textures in Oil and Acrylic" provides instructions on how to produce 101 textures using oil or acrylic paint. The author assumed that the reader knows the basics of painting in oil and acrylic, so she jumped into the step-by-step demonstrations after a brief introduction. The instructions were not specific to either oil or acrylic paint, so you have to know how to adapt her general instructions to the type of paint you're using. She also never described exactly what she meant by "impressionistic" or "painterly" (and different artists mean different things by these terms). However, the pictures for the different steps did a good job of showing what she meant. She didn't usually say if you should let a layer dry or not before going to the next step, which would have been useful information.The step-by-step demonstrations were basically "use these colors in this order with these techniques to create this texture." She did not describe how to choose the best colors to create a certain texture. But she did use different colors for the demonstrations of similar textures (like the different types of hair), so you can get an idea of how to choose colors from that. Also, she only demonstrated how to do a small section of texture, like fur or skin, and left it up to the reader to correctly apply it to the whole body. While this book is helpful in teaching how to create different textures, it probably wouldn't be as helpful for a beginner as for someone who has some experience already with oil or acrylic paint.You can see exactly what's covered in the table of contents, but she basically covered people (hair, skin, eye), animals (fur, mane, feathers, etc.), fabrics (tweed, silk, leather, lace, etc.), woven basket, glass, stone, ceramic, wood, metal, various food textures, and nature textures (bark, fern, grass, rain, etc.).I received an ebook copy of this book from the publisher through NetGalley.

I received an advanced copy of this book from the publisher in exchange for an honest review.I realized soon after I requested this book and was looking at it that I already have it in a hard copy, the first version of it came out several years ago. This is the second edition. I love Walter Foster books. They fit well with me. I have several of them and refer to them often when I'm painting. I like that this book has a lot of the basic information needed to get started in the beginning of the book. It's a great book, very informative and it's definitely worth getting. I look forward to using it to make some paintings.I don't know anything about oil painting, but I have painted with acrylics when I have had the time for several years. I still consider myself a student to the art but there are some things that I know about painting with acrylics and other things that I have a definite opinion on.If you are making a painting with acrylics and you're a new painter without your own mixes and plan on doing one of the textures that require glazing and then selling it, I believe that you should research different ways on getting a glaze instead of following the authors mixing ratio. I don't agree at all with how she suggests making a glaze, and highly suggest finding a different way. If you need to, call/email the company that makes your paint and ask them if they agree with the authors suggestion, and also if they have an available product to make the glaze. This is just my opinion and just a suggestion. Maybe I'm overthinking it, but I think it's very important. Other than that one thing, I love the book.

101 Textures in Oil and Acrylic is such a fun and fascinating art book. I’d have to put it in my top ten list for art books for 2018. You know, if I actually had a list like that going. This is one of those art books that is very focused on one particular subject. In this case it’s all about textures, but that’s a bit obvious, isn’t it? Textures is an easy thing to overlook, but it can honestly make or break a painting. Think about all the classic paintings out there and how much time those masters spent learning everything. Suddenly this book seems a lot more important, right? I personally love how well formatted this book is. This was a huge bonus, in my mind. It made for easy reading the first time through, but better than that; it makes for a perfect reference book. Trying to paint something specific and struggling? Time to look it up! It’s perfect. There are six categories in total, not counting the introduction. Included we have guides on people, animals & insects (this was my favorite category), fabrics & textiles, glass & other surfaces, food & beverages, and finally nature. I’m really happy that somebody took the time to talk about textures and how to paint them. It’s something I’ve always been fascinated by, and it’s nice to see others feeling the same way about it. I hope others find this book as useful as I did.

This book sets out the steps taken by one accomplished artist on how to paint every kind of realist image, ranging from the skin and hair of a human body to that of animals, alongside wood and brick surfaces, raindrops and water surfaces.With each demonstration, Tanonatti presents each tutorial in four stages. Typically, a work begins with an underpaint to set the scene, then the darker shadows are added, while stages three and four (all illustrated with pictures) show how each surface or image is then lightened and refined. Tavonatti's paintings typically are layered a great deal, while the beginning of the book sets out which painting techniques might work best for each stage: should these involve wiping away, scumbling, or applying paint either with a palette knife or a specific kind of a brush, for example? And what colour paints should be mixed for each stage?The last pages show specific paintings where all these techniques are used within the one painting.This book should especially please those who prefer more realistic approaches than otherwise, though this book should offer new ideas to any artist, newbie or more experienced, on how to paint as true to the real thing as possible

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101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces PDF

101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces PDF

101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces PDF

101 Textures in Oil and Acrylic: Practical techniques for rendering a variety of surfaces PDF