Free PDF The Plotters: A Novel
Free PDF The Plotters: A Novel
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The Plotters: A Novel
Free PDF The Plotters: A Novel
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Review
"Editor's Choice" New York Times Book Review"9 New Books We Recommend This Week" New York Times"The Most Anticipated Crime Books of 2019" CrimeReads“Most Anticipated Books of 2019” Lit Hub"This Winter's Best Thrillers" Chicago Review of Books"Picks of the Week" Publishers Weekly"The Best Books of the Week" New York Post"The Best Reviewed Books of the Week" Book Marks“15 Newly Translated Novels You Need to Read in 2019” Barnes and Noble"The Plotters tells the story of Renseng, a jaded assassin who startles himself by realizing—somewhat belatedly—that he has a moral code, a sense of honor, a soul. All of these will prove to be perilous liabilities in his world. Un-Su Kim is a tremendous writer, and he’s crafted a smart, stylish, and surprisingly moving thriller.”Scott Smith, author of A Simple Plan and The Ruins"It would be hard to accuse The Plotters, a raucous extravaganza of assassins and lunatics by the lauded Korean writer Un-Su Kim, of conforming to any template."New York Times Book Review“Intriguing and playfully fun...The Plotters walks in the traditions of the noble detective and the samurai while spinning some new chewy bits probably best not mimicked. By the end, heroism rises out of the carnage to trump the nihilistic capitalism in a rousing climax.” Los Angeles Review of Books“[A] powerhouse of a novel, full of melancholy and gore, philosophy and brutality, dark humor and pathos. It reads as if Haruki Murakami rewrote The Day of the Jackal, or as if David Lynch remade Alain Delon’s Le Samouraï, or as if Park Chan-wook reimagined Suddenly (Frank Sinatra as sniper)...Kim (brilliantly translated from the Korean by Sora Kim-Russell) moves among his engaging, thickly limned characters with the ease and insight of a master psychologist and strategist.”Locus Magazine"The Plotters, rendered in English by Sora Kim-Russell, is an unusual book: a violent action-thriller that could also be a parable, a fable of good and evil stitched together with poignant threads.”Wall Street Journal“[A] gripping portrait of a killer for hire …The Plotters is no primer for a visit to Korea. What it does offer is a vivid portrait of a mesmerizing central character — the stoic Reseng. It will also keep readers delightfully off-balance. In The Plotters Kim has mixed bookishness, crackpots and commissioned murder into a rich and unsettling blend."The Washington Post"Pleasingly deadpan, The Plotters manages to be both humorous (Reseng’s cats are called, delightfully, Desk and Lampshade) and violent, and sometimes even wise."The Guardian“Translated by Sora Kim-Russell, The Plotters is written beautifully, thoughtfully, wandering through Reseng’s thoughts as a visitor observes a new landscape. The story is dark but inviting and feels like new territory, even in the genre of hit men. Un-su Kim takes us on a ride, but a ride with both action and contemplation. Highly recommended.”New York Journal of Books"Dark and clever." New York Post"Unpredictable, often grotesquely funny, piled with corpses and dark as a dungeon...The Plotters is also a compulsive page-turner."Maclean's"The Plotters is deeply funny and, surprisingly, full of heart. There are moments of transcendence and heartbreak mixed in with the knife fights and shootouts, and Kim balances it all beautifully."CriminalElement (dot com)"The winner of prestigious prizes in Korea, Kim makes his anglophone debut, thanks to Kim-Russell, who captures his dark, dark wit and searing sarcasm in an irresistible sociopolitical parable designed to delight and dismay."Booklist (Starred review) “Korean author Kim makes his U.S. debut with a powerful, surreal political thriller…The complex plot, in which Reseng becomes involved with a more polished, CEO-like hit man named Hanja, builds to a highly cinematic and violent denouement. Most memorable, though, is the novel’s message about the insidiousness of unaccountable institutions, from those under the military junta to those that thrive in today’s economy. The consequence of the pervasive corruption is an air of existential despair. This strange, ambitious book will appeal equally to literary fiction readers.” Publishers Weekly (Starred review)"The Plotters hums with menace, humor, heartbreak, and savagery. The killers and schemers haunting its pages range from dens of villainy to desperate scenes of quiet domesticity, offering a view of the world from the depths of its own shadow. The result is wild, weird, and completely engrossing." Jedediah Berry, author of The Manual of Detection “The Plotters by Un-su Kim is a work of literary genius; a quirky, compelling, intelligent, darkly funny, highly original and thought-provoking thriller like nothing I've read. Gorgeous prose elevates the basest of characters and answers the question: How can ours be a life well-lived if we only do as we’re told? I loved this book!” Karen Dionne, author of The Marsh King’s Daughter"Kill Bill meets Murakami. Twisted and surreal, The Plotters is one of those rare books that will haunt you long after you've finished it. The writing is smooth, unhurried and often profound, even as it draws you deeper into the gruesome underworld of skilled contract killers. Chillingly, the violence is almost exquisite, a bloody art form." D. B. John, author of Star of the North"Imagine a mash-up of Tarantino and Camus set in contemporary Seoul, and you have The Plotters. Filled with unexpected humor and exquisite fight scenes." Louisa Luna, author of Two Girls Down"The Plotters subverts every trope of the assassin-for-hire novel. Constantly surprising and darkly funny; surreal, intimate and emotional. I loved it." Charles Soule, author of The Oracle Year“Now this is a story with power and style. The one-two punches of humor are a nice bonus. You’ll be laughing out loud every five minutes. You’ll find yourself contemplating the meaning of life, death, and desire for a long, long time. Make sure you leave your evening free, because you won’t be able to put this book down once you start.”You-jeong Jeong, author of The Good Son "The Plotters is what would happen if you took the best South Korean crime cinema and distilled it into words. A smart but lightning fast thriller that keeps the pressure on to the very last page." Brian Evenson, author of Last Days and A Collapse of Horses“A book of revelations for murder both violent yet graceful, dark yet poetic. With sharp humor and sparkling prose, Un-su Kim stylishly spins the tale of the extraordinary life of an ordinary assassin.” J.M. Lee, author of The Investigation"In a terrifying, not unimaginable dystopian Seoul, guilds, plotters and assassins jostle for supremacy...Violent, clever and funny, I loved it!" M. W. Craven, author of The Puppet Show"The Plotters is a surreal story, replete with interior monologue, time shifts, and impossibilities. Part old-school spy thriller, part soul-searching journey, part history lesson, part political education. A novel that makes the reader think without leading, allows you to draw your own conclusions while helping you see all the possible angles, is subtle without being esoteric, The Plotters is well worth the read. And quite frankly, we can all benefit from books in translation, now more than ever."TheRoarBots (dot com)
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About the Author
UN-SU KIM was born in 1972 in Busan and is the author of several highly praised novels. He has won the Munhakdongne Novel Prize, Korea's most prestigious literary prize, and was nominated for the 2016 Grand Prix de Littérature Policière. The translator, Sora Kim-Russell, is a Korean American living in Seoul, where she teaches translation.
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Product details
Hardcover: 304 pages
Publisher: Doubleday; Translation edition (January 29, 2019)
Language: English
ISBN-10: 0385544383
ISBN-13: 978-0385544382
Product Dimensions:
6.4 x 1.2 x 9.5 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#39,837 in Books (See Top 100 in Books)
Brief summary and review, no spoilers.In briefest summary, the story setting is Korea and the book’s main protagonist is a young man named Reseng. Reseng’s past is vague and unknown because as was an orphan and doesn’t know his parentage. When he was very young he was taken in by a man known as The Old Raccoon. The Old Raccoon ostensibly runs an old library which is really the headquarters of a nepharious organization known as The Library.Reseng is a plotter -they are trained and skilled killers that commit assassinations. It’s all quite mysterious; often the plotters themselves don’t know the reasons why they kill nor do they care. There’s an almost mystical feel to this part of the book; it’s all shrouded in such mystery.The story is told from Reseng’s point of view as we follow him around, both in the present and then back in time to some of his memories of his limited life apart from The Library. And with that, I want to end the summary because you should read the plot points as the author intended because there are some wonderful twists and surprises along the way.This book could’ve gone wrong for so many reasons. It’s quirky to say the least. It’s a thriller, a mystery, but so, so much more.What makes this book sing is the writing - it’s just brilliant. This is an author who really has the writing chops and it shows on almost every page. Just an example, and first understand that part of our likeability of Reseng is his having taught himself to read as a young boy practically raising himself in The Library. An example of the writing that so entranced me (and a reference to Reseng’s favorite character, Achilles):“Reseng wept in the dark. On every page of the sea of library books that he was either itching to read or would eventually get bored enough to read, heroes and beautiful, charming women, countless people struggling to overcome hardship and frustration and achieve their goals, all died at the arrows of idiots because they failed to protect their one tiny weakness. Reseng was shocked at how treacherous life was. it didn’t matter how high you rose, how invincible your body was, or how firmly you clung to greatness, because of it it would vanish with a tiny split-second mistake.â€I loved this book. What I didn’t mention is that it is also laugh-out-loud-funny in places. It’s just the complete deal and I am definitely looking forward to reading more books by this author.Lastly, I never give away endings but want to say I give the ending to this a big thumb’s up. And that’s always the cherry on top for me.
OK. I'll admit that the book is beautifully written, but I don't know, maybe it is a cultural thing, but I found the plot to be uninteresting and hard to follow. I couldn't identify with the main character or any of the others. I was glad when I finished it. Maybe "quirky" isn't my forte'. If it is yours, you may enjoy the book.
Interesting topic. Translation smooth. Sad saga of hopelessness.
The author of this surreal, expertly crafted tale is the Korean Kurt Vonnegut. Enter a world in which the most ignorant and uncurious survive, one in which “Reading books will doom you to a life of fear and shame.†My thanks go to Doubleday and Net Galley for the advance review copy, which I received free in exchange for this honest review. This novel will be available in the U.S. February 12, 2019.Our protagonist is Reseng. Orphaned at a young age, he grew up in Old Raccoon’s library. He is an assassin. Killing others for hire has grown into a huge industry, and the story begins with Reseng watching an old man through a scope. He has a job to do.Readers are forewarned that this story is not for the squeamish, and I almost abandoned it, because although I like dark humor, this is triple-dark. I set it aside fairly early, unsure whether I was coming back or not, but despite its brutality, it drew me back, and I am glad I returned to it.Bear is Reseng’s friend, and he runs the pet crematorium. That’s what it’s called, because the murder industry is still officially illegal; it wouldn’t do to announce his business as the place to dispose of a freshly assassinated human victim. Not yet anyway; the way things are going, this may change. Reseng is there on business, though, because the old man he just killed has to be processed. And as he and Bear converse on the state of the profession—so many immigrants are coming to South Korea and taking these jobs; Chinese, North Koreans that sneak over, Vietnamese. They’ll work cheap, and it makes it harder for guys like Reseng to get what the jobs are worth. And then there’s outsourcing. Assassins are hired by plotters, but Reseng reflects that “Plotters are just pawns like us. A request comes in, and they draw up the plans. There’s someone above them that tells them what to do. And above that person is another plotter…You know what’s there if you keep going all the way to the top? Nothing. Just an empty chair.†Reseng’s greatest concern is Old Raccoon, Reseng’s aging mentor who is being edged out by unseen forces. Old Raccoon isn’t an assassin, but he has kept himself out of the crosshairs by permitting his library to be used as a meeting point between shady individuals looking to make deals. That’s worked for him pretty well, until recently. Old Raccoon is all the family Reseng has, and so out of concern, he begins asking questions. It’s a reckless thing to do, and he knows it.Before long, Reseng’s life turns into a hall of mirrors, and it’s hard to know who to believe, because he can’t trust anyone. Where does Hanja, who was also mentored by Old Raccoon, fit in? What about the cross-eyed librarian? Is she on the up and up, and if so, where did she go? Is The Barber involved here? His queries take him to visit Hanja, who is now wealthy and influential, a giant among giants in the industry, and his offices take up three whole floors in a high-rise building:“As if it wasn’t ironic enough that the country’s top assassination provider was brazenly running his business in a building owned by an international insurance company; the same assassination provider was also simultaneously managing a bodyguard firm and a security firm. But just as a vaccine company facing bankruptcy will ultimately survive not by making the world’s greatest vaccine but, rather, the world’s worst virus, so, too, did bodyguard and security firms need the world’s most evil terrorists to prosper, not the greatest security experts. That was capitalism. Hanja understood how the world could curl around and bite its own tail like the uroboros serpent…There was no better business model than owning both the virus and vaccine…A business like that would never go under.â€The struggle unfolds in ways that are impossible to predict, and what kind of fool would even attempt to make sense of it? When challenged, Hanja tries to warn Reseng that when an anaconda tries to swallow an alligator, it instead dies of a ruptured stomach, but Reseng will not be stopped. His journey builds to a riotous crescendo, and there’s a point past which it’s impossible not to read till the thing is done.It’s a scathing tale of alienation told by a master storyteller, and the ending is brilliant as well. There’s nobody else writing anything like this today. Highly recommended.
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